'The Secrets We Keep' Film Review: Noomi Rapace Seeks Revenge in Familiar Thriller

The worst sin of “The Secrets We Keep” is not that it so blatantly and flagrantly rips off Ariel Dorfman’s play and subsequent movie “Death and the Maiden” — although if the Chilean author wanted to sue for a credit, he’s certainly got a case. The history of art is the history of creators borrowing from each other, whether they call it homage or reference or appropriation. What grates about director Yuval Adler and his co-writer Ryan Covington pilfering so obviously from Dorfman’...